<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Imaginary Lines Project</title>
	<link>https://imaginarylinesproject.com</link>
	<description>Imaginary Lines Project</description>
	<pubDate>Mon, 28 Jun 2021 20:02:39 +0000</pubDate>
	<generator>https://imaginarylinesproject.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Splash Page</title>
				
		<link>https://imaginarylinesproject.com/Splash-Page</link>

		<pubDate>Mon, 21 Jun 2021 16:58:57 +0000</pubDate>

		<dc:creator>Imaginary Lines Project</dc:creator>

		<guid isPermaLink="true">https://imaginarylinesproject.com/Splash-Page</guid>

		<description>
	





















	
	
	
	
	
	
	
	
	

	

	
	
	
	
	
	
	
</description>
		
	</item>
		
		
	<item>
		<title>Info</title>
				
		<link>https://imaginarylinesproject.com/Info</link>

		<pubDate>Mon, 21 Jun 2021 16:58:58 +0000</pubDate>

		<dc:creator>Imaginary Lines Project</dc:creator>

		<guid isPermaLink="true">https://imaginarylinesproject.com/Info</guid>

		<description>IMAGINARY LINES


	Imaginary Lines is a multi-faceted project that begins by engaging immigrant communities in creative storytelling and myth-making. Stories are being told here, like a caravan with many different people, coming from various locations, all with unique histories, drawn together to share the journey and for the common goal of reaching their destination.

Through a series of storytelling workshops, participants will explore the significance of the immigration journey, while sharing their own experiences of crossing the US/Mexico border. In addition to workshops and programming, Imaginary Lines will feature a short film and this website where online audiences can contribute to an archive of immigration stories. Imaginary Lines will begin its public presentation series starting in 2024.&#38;nbsp;
EVENTS
Tethered: Immigrant Narratives on Film

 June 27, 2025, 7-9:30 PM Dahlak, 4708 Baltimore Ave, Philadelphia, PA 19143
Screening of short films and Q&#38;amp;A session with filmmakers
&#60;img src="https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F1037138823%2F2029381611823%2F1%2Foriginal.20250522-204247?crop=focalpoint&#38;amp;fit=crop&#38;amp;w=600&#38;amp;auto=format%2Ccompress&#38;amp;q=75&#38;amp;sharp=10&#38;amp;fp-x=0.0554014263731&#38;amp;fp-y=0.479820137593&#38;amp;s=4738af4c41afb31bb3918040f1ee0c21"&#62;


</description>
		
	</item>
		
		
	<item>
		<title>DESCRIPTION</title>
				
		<link>https://imaginarylinesproject.com/DESCRIPTION</link>

		<pubDate>Mon, 28 Jun 2021 20:02:39 +0000</pubDate>

		<dc:creator>Imaginary Lines Project</dc:creator>

		<guid isPermaLink="true">https://imaginarylinesproject.com/DESCRIPTION</guid>

		<description>
	
	WorkshopsImaginary Lines begins with real-life storytelling about experiences that are simultaneously singular (the individual journey) and universal (the fears and hopes that drive migration). At a historical and political moment where immigration narratives are driven by political demagoguery and mainstream media’s reductive immigration reporting our hope is to use image-making technology to immerse viewers in essentially Human stories that would otherwise remain unheard.The storytelling process arises from a collaboration with immigrant community members (Philadelphia and Baltimore), shared through conversations during a series of writing workshops. Paying homage to Jorge Luis Borges’s short story Las Ruinas Circulares (1940), the project relays immigrant’s stories of resilience, dreams, meaning, and identity. Participants explore their own border-crossing experiences through documentary and fictional renditions. These writings are brought together, creating a new tale, a people’s journey through migration. This narrative is showcased within a short film, presented in Spanish with English subtitles.FilmFragments of both real and fictionalized border crossing stories, collected from immigrant communities are woven together into an endless journey. Masses of monarch butterflies flutter across a Southwestern U.S. landscape as their migratory sanctuary is threatened by destruction.This work uses the motif of the butterfly’s migration between the United States and Mexico. Monarch butterflies will be filmed at the National Butterfly Center in Mission, TX––a stop on the annual migration of millions of Monarch butterflies between the U.S. and Mexico. In 2017, The National Butterfly Center was designated for demolition by the Trump administration to make way for the US-Mexico border wall.Filmed imagery of the monarch butterfly migration will be shown along with animated text-based accounts from immigrants, recalling their individual journeys across the border. These first-hand border-crossing accounts, assembled from a series of community writing workshops, cast immigrants’ journeys in mythological and metaphorical terms.Public film screenings will be announced in 2024.

</description>
		
	</item>
		
		
	<item>
		<title>PROJECT</title>
				
		<link>https://imaginarylinesproject.com/PROJECT</link>

		<pubDate>Mon, 21 Jun 2021 16:58:59 +0000</pubDate>

		<dc:creator>Imaginary Lines Project</dc:creator>

		<guid isPermaLink="true">https://imaginarylinesproject.com/PROJECT</guid>

		<description>

	WorkshopsImaginary Lines begins with real-life storytelling about experiences that are simultaneously singular (the individual journey) and universal (the fears and hopes that drive migration). At a historical and political moment where immigration narratives are driven by political demagoguery and mainstream media’s reductive immigration reporting. Our hope is to use image-making technology to immerse viewers in essentially human stories that would otherwise remain unheard.The storytelling process arises from a collaboration with immigrant community members (Baltimore, 2020 &#38;amp; Philadelphia, 2020-2024), shared through interview sessions and conversations that took place during a series of writing workshops. These writings are brought together, creating a new tale, a people’s journey through migration. This narrative is showcased within the film, animated across the border wall while a synced monologue narrates in Spanish with English subtitles.
In addition to the story telling workshops the collective hosted art making workshops in response to a selection of the stories.&#38;nbsp; The artworks are showcased in this website and will be included in the final film.&#38;nbsp;
	The FilmFragments of border crossing stories, collected from immigrant communities are woven together into an endless journey. Masses of monarch butterflies flutter across a Southestern U.S. landscape as their migratory sanctuary is threatened by destruction.This work uses the motif of the butterfly’s migration between the United States and Mexico. Initial film tests of Monarch butterflies took place at the National Butterfly Center in Mission, TX––a stop on the annual migration of millions of Monarch butterflies between the U.S. and Mexico. In 2017, The National Butterfly Center was designated for demolition by the Trump administration to make way for the US-Mexico border wall.Animated imagery of the monarch butterfly migration will be shown along with accounts from immigrants, recalling their individual journeys across the border. These first-hand border-crossing accounts, were assembled from a series of community writing workshops beginning in Baltimore and Philadelphia in 2020, with continued workshops taking place in partnership with the Phildelphia Folklore Project in 2022-2024.Public film screenings will be announced in 2024.
</description>
		
	</item>
		
		
	<item>
		<title>PEOPLE</title>
				
		<link>https://imaginarylinesproject.com/PEOPLE</link>

		<pubDate>Mon, 21 Jun 2021 16:58:59 +0000</pubDate>

		<dc:creator>Imaginary Lines Project</dc:creator>

		<guid isPermaLink="true">https://imaginarylinesproject.com/PEOPLE</guid>

		<description>
	PEOPLE



“We arrive at Wal-Mart out of all places, and she tells me to hang out in the
playground, one that they had for sale outside the shopping center. I see a passenger van arrive
and our friend and my mom jump out. That darkness inside, the lack of hope, the feeling
of emptiness all went away with that hug.”

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/36c488a40a4fcf64a95aaa7148f2b6e7046fabd15881f642ad95ef150edf922c/IMG_5317.jpg" data-mid="221533175" border="0"  src="https://freight.cargo.site/w/1000/i/36c488a40a4fcf64a95aaa7148f2b6e7046fabd15881f642ad95ef150edf922c/IMG_5317.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5e736fe9a3c8e5bb8ef3c35392003463ed0aec4229131aa35a7c8f9957de04e3/IMG_5309.jpg" data-mid="221533188" border="0"  src="https://freight.cargo.site/w/1000/i/5e736fe9a3c8e5bb8ef3c35392003463ed0aec4229131aa35a7c8f9957de04e3/IMG_5309.jpg" /&#62;

Artwork by&#38;nbsp;Dulce Ramirez

“In that place there were many people
from different places, including people who had been trying to cross for a
month, and hadn’t succeed. I remember two people in particular....
	




“I
still remember that day that I had to say goodbye to my mother and siblings,
that was the most painful thing I had done in my life. I
got into the car with tears in my eyes, trying to be strong, heartbroken but
also with dreams of having a better life.”

	
&#60;img width="2091" height="1529" width_o="2091" height_o="1529" data-src="https://freight.cargo.site/t/original/i/7e8f1078b3ca74fb3e9af9ee23ed89f3391197debbe85bee406c24c4c26707ca/Participant1.jpg" data-mid="114206827" border="0"  src="https://freight.cargo.site/w/1000/i/7e8f1078b3ca74fb3e9af9ee23ed89f3391197debbe85bee406c24c4c26707ca/Participant1.jpg" /&#62;
&#60;img width="576" height="360" width_o="576" height_o="360" data-src="https://freight.cargo.site/t/original/i/7fc2bb9f663a60c9ca0704fc0b7ebacfac60f2380b23924929757e7d998a215d/Participant1_V2_Story.jpg" data-mid="221486792" border="0"  src="https://freight.cargo.site/w/576/i/7fc2bb9f663a60c9ca0704fc0b7ebacfac60f2380b23924929757e7d998a215d/Participant1_V2_Story.jpg" /&#62;


“In that moment she realized that the dream-hunter have dissapeared. With hard work she wove her cocoon to become what she had dreamed of, a beautiful butterfly.”

&#60;img width="593" height="797" width_o="593" height_o="797" data-src="https://freight.cargo.site/t/original/i/87892f917e783d7b714cd48fb3fa343659b74c01aa8a6ed0ff9d313e0f237926/Participant2.jpg" data-mid="114206890" border="0"  src="https://freight.cargo.site/w/593/i/87892f917e783d7b714cd48fb3fa343659b74c01aa8a6ed0ff9d313e0f237926/Participant2.jpg" /&#62;
&#60;img width="2970" height="4032" width_o="2970" height_o="4032" data-src="https://freight.cargo.site/t/original/i/244d8f193e5dfe88c07b9a8d6e38ddb3435212c5923b4b4a55c882bfa8de9f15/Participant2_V2_Story.jpg" data-mid="221486909" border="0"  src="https://freight.cargo.site/w/1000/i/244d8f193e5dfe88c07b9a8d6e38ddb3435212c5923b4b4a55c882bfa8de9f15/Participant2_V2_Story.jpg" /&#62;


“One day, as I walked by the street of my neighboorhood,&#38;nbsp; I noticed people’s murmuring. They couldn’t stop talkiing about the wonders of a magical place, where all wishes come try with only getting there Every story of that magical place was so exciting that anyone would like to experience it, even me, as a youn child. Everything they said was nice and good. Sometimes I dreamed that when I got older, I would also go to that magical place. II wanted to have my own story.&#38;nbsp;In my dream, I was older and traveled to that magical place. When I started the journet, I felt so happt because I was going to the so mentioned place, but everytime by dream ended before I could get there, because I woke up.”&#38;nbsp;


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/533d50f1b9ea43a6eff75790717729baa68c3d8625231f90b051700b7c0d8631/IMG_5321.JPG" data-mid="221533344" border="0"  src="https://freight.cargo.site/w/1000/i/533d50f1b9ea43a6eff75790717729baa68c3d8625231f90b051700b7c0d8631/IMG_5321.JPG" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/195631f0fd7902ad0d209633d3b5d04ae00d115b76e9d19116cf4e1f8aad4681/IMG_5322.JPG" data-mid="221533345" border="0"  src="https://freight.cargo.site/w/1000/i/195631f0fd7902ad0d209633d3b5d04ae00d115b76e9d19116cf4e1f8aad4681/IMG_5322.JPG" /&#62;


	I can’t see the colors of the sky or those of the little birds in my window. I don’t know the color of the little lambs, or the country side...
	but I know the smoothness and softness of my sister’s hands


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/3dc4fa2a4c79398c902eff232c237ebfb341af7296e82969f5e9a0f69ccb54ad/IMG_5323.JPG" data-mid="221533346" border="0"  src="https://freight.cargo.site/w/1000/i/3dc4fa2a4c79398c902eff232c237ebfb341af7296e82969f5e9a0f69ccb54ad/IMG_5323.JPG" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/cc9496763e9004dbf117e4a6be33b1a1cad1b9ba84caa096809bc8523b2d702b/IMG_5324.JPG" data-mid="221533347" border="0"  src="https://freight.cargo.site/w/1000/i/cc9496763e9004dbf117e4a6be33b1a1cad1b9ba84caa096809bc8523b2d702b/IMG_5324.JPG" /&#62;


	Despite how much she works in the field, her hands are as smooth and soft as petals of flowers... or as some of the clothes of my mom or aunts...


	but my sister is leaving, and I might not play with her again... I won’t get to learn how her hands are...&#38;nbsp;


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f0093d9e2f9d2c0ce817371910977157c9fb27d12ed0df00c2f98730215e3ceb/IMG_5320.JPG" data-mid="221537798" border="0"  src="https://freight.cargo.site/w/1000/i/f0093d9e2f9d2c0ce817371910977157c9fb27d12ed0df00c2f98730215e3ceb/IMG_5320.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/acb3b47fd4ac1cfbb4d1b11d9a3042877d275a5cc80c703b38bdc391e46d3400/IMG_5319.JPG" data-mid="221537799" border="0"  src="https://freight.cargo.site/w/1000/i/acb3b47fd4ac1cfbb4d1b11d9a3042877d275a5cc80c703b38bdc391e46d3400/IMG_5319.JPG" /&#62;

Artwork by&#38;nbsp;Itzel Gratija</description>
		
	</item>
		
		
	<item>
		<title>PLACE</title>
				
		<link>https://imaginarylinesproject.com/PLACE</link>

		<pubDate>Mon, 21 Jun 2021 16:59:00 +0000</pubDate>

		<dc:creator>Imaginary Lines Project</dc:creator>

		<guid isPermaLink="true">https://imaginarylinesproject.com/PLACE</guid>

		<description>PLACE—
The National Butterfly Center is located in Mission, TX. The border wall proposed by the Trump administration and later by Texas Governor Greg Abbott, is an invasion to the private property of the center and will hurt the natural ecosystem of the area. Please read their statement on this page.

The original impetu of the film was inspired by this place, we use butterfly as a motif and as a way to talk about migration as something natural in the world.&#38;nbsp;




	&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/7f338515fd8602ab8af32ba4229f63b4b95219466889d6a25dc8eaaecce3a10c/McAllenTX-3612.jpg" data-mid="112198044" border="0"  src="https://freight.cargo.site/w/1000/i/7f338515fd8602ab8af32ba4229f63b4b95219466889d6a25dc8eaaecce3a10c/McAllenTX-3612.jpg" /&#62;&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/b29fc7f23e5dadda0ee16c1e3699f524316d5b5e752706246fe4fe24a90a6732/_DSC3617.jpg" data-mid="112520015" border="0"  src="https://freight.cargo.site/w/1000/i/b29fc7f23e5dadda0ee16c1e3699f524316d5b5e752706246fe4fe24a90a6732/_DSC3617.jpg" /&#62;&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/55466fd613ab63f64fb27fab0e3dfc799758550693673f3098bc5b4cf97e844a/McAllenTX-3637.jpg" data-mid="113426605" border="0"  src="https://freight.cargo.site/w/1000/i/55466fd613ab63f64fb27fab0e3dfc799758550693673f3098bc5b4cf97e844a/McAllenTX-3637.jpg" /&#62;&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5392a3f8ec1366e3856501cccb393f93cc41f166cfb4642639195cf3faa805a8/McAllenTX-3609.jpg" data-mid="113426599" border="0"  src="https://freight.cargo.site/w/1000/i/5392a3f8ec1366e3856501cccb393f93cc41f166cfb4642639195cf3faa805a8/McAllenTX-3609.jpg" /&#62;
Photos and Video by Ileana Doble H
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/1c7eab22fa4ae309ca839b5f3fc84dbed21373cb9b8e2207ae53993b9e382122/IMG_5341.JPG" data-mid="221533635" border="0"  src="https://freight.cargo.site/w/1000/i/1c7eab22fa4ae309ca839b5f3fc84dbed21373cb9b8e2207ae53993b9e382122/IMG_5341.JPG" /&#62;
Artwork by Claudia Peregina
</description>
		
	</item>
		
		
	<item>
		<title>ARTISTS</title>
				
		<link>https://imaginarylinesproject.com/ARTISTS</link>

		<pubDate>Wed, 09 Jun 2021 17:49:51 +0000</pubDate>

		<dc:creator>Imaginary Lines Project</dc:creator>

		<guid isPermaLink="true">https://imaginarylinesproject.com/ARTISTS</guid>

		<description>ARTISTS

Eric César Morales

	&#60;img width="1206" height="1294" width_o="1206" height_o="1294" data-src="https://freight.cargo.site/t/original/i/8037b6bf783a4112726697314dcd73b86e50d8581955cd9958f244525bbf887b/Screen-Shot-2024-11-17-at-2.05.53-PM.png" data-mid="221922211" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/8037b6bf783a4112726697314dcd73b86e50d8581955cd9958f244525bbf887b/Screen-Shot-2024-11-17-at-2.05.53-PM.png" /&#62;
	
	
Eric César Morales is an activist, academic, and interdisciplinary artist. He works as the Resourcing Coordinator for Philly Thrive, a multiracial, cross-class, grassroots environmental and climate justice organization. He received his MA and Ph.D. in Cultural Studies from Indiana University, with his master’s thesis focusing on the representation of Latinos in the media and his doctoral dissertation exploring issues of cultural appropriation and globalization. He has taught several university courses on Latinos in Film/Literature and has been a discussant at numerous film festivals, including the Philadelphia Latino Arts and Film Festival (PLAFF). His published academic works have been featured in the Oxford Handbook of American Folklore, Race and Pedagogy Journal: Teaching and Learning for Justice, and the Journal of American Folklore.&#38;nbsp; His artistic practice encompasses creative writing, dance, and culturally rooted crafts made from natural materials. His forthcoming creative writing publication, “La Llorona’s Tears” will appear in the book, Weeping Women: La Llorona’s Presence in Modern Latinx and Chicanx Lore (2024), published by Trinity University Press. He has performed indigenous dance presentations in Tahiti, California, Indiana, Pennsylvania, and has even done a solo performance for Superbowl Village. Currently, he coalesced and is working with a collective of Latine artists to produce Amor y Familia: Lotería in Philadelphia—a project that reinvents a 130+ year old Mexican board game, Lotería, to create a safe, fun, and loving environment where Latine families can learn about inclusive terminology and practices around gender, sexuality, and sexual health.



	Ileana Doble Hernandez
&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/8afb54248e9130dc7d7e6136dc44155480435430addea59e019d85cb56de9ba5/DobleH_Ileana_Headshot.jpg" data-mid="221532305" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/8afb54248e9130dc7d7e6136dc44155480435430addea59e019d85cb56de9ba5/DobleH_Ileana_Headshot.jpg" /&#62;
	
Ileana Doble Hernandez is a visual artist who believes that art has the power to make people care, this is why she has been making art for over a decade, as a form of activism. Drawing from her experience as an immigrant and mother, Hernandez creates work that asks the audience to confront issues like gun violence and immigration. Recently her works have been shown at the Old Stone House Museum in Brooklyn, and in her current home state of Massachusetts at the Boston City Hall, the Griffin Museum of Photography and the Worcester Art Museum. An interview and profile of her show at the Griffin Museum was produced and aired by ABC's WCVB Chronicle earlier this year. This Fall and until the end of January, the Danforth Museum is presenting an exhibition of works made by Hernandez during the last six years. Ileana's practice and works have been featured in more than 30 online and print publications, including The New York Times, Hyperallergic, Musee Magazine and Art Scope. Hernandez was a resident of the inaugural 3-year Studio Residency cohort at the Boston Center for the Arts from 2021-24 and she’s the recipient of several fellowships including the 2020 Saul Zaentz Innovation Fund,&#38;nbsp; the 2021 Leadership Institute of the National Association of Latino Arts and Cultures, and the 2023 Creative Entrepreneur Fellowship from the Boston Arts and Business Council. This year she became a 2024 Collective Futures Fund grantee. 






	Nadia Hironaka &#38;amp; Matthew Suib
&#60;img width="3088" height="2275" width_o="3088" height_o="2275" data-src="https://freight.cargo.site/t/original/i/9e5c89c4bf84e4db5e127867168169bd5d526f89ac2dfc9a761a08052faef6dc/HironakaSuib_Headshot.jpg" data-mid="221532309" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/9e5c89c4bf84e4db5e127867168169bd5d526f89ac2dfc9a761a08052faef6dc/HironakaSuib_Headshot.jpg" /&#62;
	
The Philadelphia-based artists have been collaborators since 2008. They are recipients of several honored awards including a 2015 Guggenheim Foundation Fellowship, Pew Fellowships in the Arts and Fellowships from CFEVA and Pennsylvania Council on the Arts. Their work has been widely exhibited both domestically and abroad at venues including, Fondazione MAXXI (Rome), New Media Gallery (Vancouver), The Institute of Contemporary Art (Philadelphia), UCLA Hammer Museum, PS1/MoMA, Philadelphia Museum of Art and Arizona State University Art Museum. They have been artists-in-residence at the Headlands Center for the Arts, the Banff Centre, Marble House Project and the Millay Colony for Arts. Matthew Suib is co-founder of Greenhouse Media and Nadia Hironaka serves as a professor and department chair of film and video at the Maryland Institute College of Art. Hironaka &#38;amp; Suib are represented by Locks Gallery. The couple, along with their daughter reside in South Philly.


Creative Contributions
	Emily Kobert
&#60;img width="1159" height="1690" width_o="1159" height_o="1690" data-src="https://freight.cargo.site/t/original/i/ed801d540af18f9603ae6670901daaa26294b928b60392ab176053b778d6383f/Emily_Headshot_blue2.jpg" data-mid="221532304" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/ed801d540af18f9603ae6670901daaa26294b928b60392ab176053b778d6383f/Emily_Headshot_blue2.jpg" /&#62;
	

Emily Kobert is an artist and animator living in Baltimore, MD. She finds tenderness in textures of moving materials and emotional honesty in hand-drawn lines. Living in the minutia of frame-by-frame animation, she finds pleasure in process and uses drawing as a tool to channel memory. Originally from South Florida, somewhere that feels made up, she is interested in how we tell stories of where we are from and larger narratives of place.
Emily received her BFA in Animation from Maryland Institute College of Art in 2024. She has worked for The Stoop Storytelling Series, The Jewish Museum of Maryland, and worked to create a student-run animation festival for Baltimore students. She has screened animated films at Sweaty Eyeballs Animation Festival, The Jewish Museum of Maryland, Subtropic Film Festival, and was named a jury honorable mention at the 2024 MICA Animation Festival.
The first two episodes of the Imaginary Lines film have been animated by Emily.



Commisioned artworks made in response to the stories by&#38;nbsp;



Claudia Peregrina

Dulce Ramirez

Itzel Gratija

Teddy Hannah-Drullard
</description>
		
	</item>
		
		
	<item>
		<title>SHARE YOUR STORY</title>
				
		<link>https://imaginarylinesproject.com/SHARE-YOUR-STORY</link>

		<pubDate>Fri, 11 Jun 2021 17:52:01 +0000</pubDate>

		<dc:creator>Imaginary Lines Project</dc:creator>

		<guid isPermaLink="true">https://imaginarylinesproject.com/SHARE-YOUR-STORY</guid>

		<description>SHARE YOUR STORY
COMPARTE TU HISTORIA
Por favor complete el formulario siguiente. 
Gracias de antemano!

Loading…Este formulario también puede encontrarlo en esta liga.
</description>
		
	</item>
		
		
	<item>
		<title>SUPPORT</title>
				
		<link>https://imaginarylinesproject.com/SUPPORT</link>

		<pubDate>Wed, 09 Jun 2021 17:49:51 +0000</pubDate>

		<dc:creator>Imaginary Lines Project</dc:creator>

		<guid isPermaLink="true">https://imaginarylinesproject.com/SUPPORT</guid>

		<description>SUPPORT
If you would like to support our endeavors, please donate to our project in our GoFundMe page or reach out to us. Donations will help facilitate creative writing workshops in immigrant communities in Philadelphia, Baltimore, Boston and beyond. All workshop participants are paid for their time and creative efforts. We still have a long way ahead of us and welcome all the help we can get.&#38;nbsp;

Project support provided by Philadelphia Folklore Project, Leeway Foundation, Saul Zaentz Innovation Fund, The Maryland Institute College of Art, and The Velocity Fund, administered by Temple Contemporary at Tyler School of Art and Architecture, Temple University, with generous funding from The Andy Warhol Foundation for the Visual Arts.


&#60;img width="325" height="81" width_o="325" height_o="81" data-src="https://freight.cargo.site/t/original/i/70c9861893a816e60681d16585a113c697c375fea2349844b837dc75665cc6f8/MICA_PrimaryLockUp_RegularScale_Black.png" data-mid="221537926" border="0"  src="https://freight.cargo.site/w/325/i/70c9861893a816e60681d16585a113c697c375fea2349844b837dc75665cc6f8/MICA_PrimaryLockUp_RegularScale_Black.png" /&#62;
&#60;img width="1084" height="484" width_o="1084" height_o="484" data-src="https://freight.cargo.site/t/original/i/7e1e458dc6ad1c2b225f63bda14d847d05b423d05e976d25a24e69c7cf8152c5/Velocity-Fund.png" data-mid="111120407" border="0"  src="https://freight.cargo.site/w/1000/i/7e1e458dc6ad1c2b225f63bda14d847d05b423d05e976d25a24e69c7cf8152c5/Velocity-Fund.png" /&#62;
&#60;img width="880" height="434" width_o="880" height_o="434" data-src="https://freight.cargo.site/t/original/i/5978333eca270886e5db41515203a8d00c96b75e18341dc270ca7eba27839389/SZIF_logo.png" data-mid="111120405" border="0"  src="https://freight.cargo.site/w/880/i/5978333eca270886e5db41515203a8d00c96b75e18341dc270ca7eba27839389/SZIF_logo.png" /&#62;
&#60;img width="900" height="366" width_o="900" height_o="366" data-src="https://freight.cargo.site/t/original/i/bf9d7aeddca7ac74bda948fdf2a2f8a9e524f8e0d37c99b5753cd9b64c69021b/PFP_Logo.png" data-mid="220523984" border="0"  src="https://freight.cargo.site/w/900/i/bf9d7aeddca7ac74bda948fdf2a2f8a9e524f8e0d37c99b5753cd9b64c69021b/PFP_Logo.png" /&#62;
&#60;img width="1139" height="219" width_o="1139" height_o="219" data-src="https://freight.cargo.site/t/original/i/8d2ca28e95d4854352c1133033e4c60b1f5309bbbf0d0710ba8f997922d7b011/Leeway-Logo.png" data-mid="220524131" border="0"  src="https://freight.cargo.site/w/1000/i/8d2ca28e95d4854352c1133033e4c60b1f5309bbbf0d0710ba8f997922d7b011/Leeway-Logo.png" /&#62;
&#60;img width="7714" height="1570" width_o="7714" height_o="1570" data-src="https://freight.cargo.site/t/original/i/1b72c31a5cbef296694890e6006f8cab83d7b13dfc21bab5eb917813f020e3e1/PCF-Eggplant-Logo.png" data-mid="249118941" border="0"  src="https://freight.cargo.site/w/1000/i/1b72c31a5cbef296694890e6006f8cab83d7b13dfc21bab5eb917813f020e3e1/PCF-Eggplant-Logo.png" /&#62;
&#60;img width="283" height="178" width_o="283" height_o="178" data-src="https://freight.cargo.site/t/original/i/67e44d9ebeda6c883a027f7a696fed21cebbd8ac20f2e2d72ee8dfc097da7046/PHLAFF---Logo.png" data-mid="248141701" border="0"  src="https://freight.cargo.site/w/283/i/67e44d9ebeda6c883a027f7a696fed21cebbd8ac20f2e2d72ee8dfc097da7046/PHLAFF---Logo.png" /&#62;
&#60;img width="150" height="131" width_o="150" height_o="131" data-src="https://freight.cargo.site/t/original/i/adce9143fedcfae9adfe43c150b4dc47e4951843647f4db96915b1dc8f97a336/PMF_logo.svg" data-mid="249118965" border="0"  src="https://freight.cargo.site/w/150/i/adce9143fedcfae9adfe43c150b4dc47e4951843647f4db96915b1dc8f97a336/PMF_logo.svg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>CONTACT</title>
				
		<link>https://imaginarylinesproject.com/CONTACT</link>

		<pubDate>Wed, 09 Jun 2021 17:49:51 +0000</pubDate>

		<dc:creator>Imaginary Lines Project</dc:creator>

		<guid isPermaLink="true">https://imaginarylinesproject.com/CONTACT</guid>

		<description>

IMAGINARY LINES COLLECTIVEWe welcome inquires about the work we do, as well as opportunities for exhibitioin and film screening. 
Please email us to&#38;nbsp;imaginarylinesproject at gmail dot com. 
Thank you for reaching out!
&#60;img width="3240" height="2123" width_o="3240" height_o="2123" data-src="https://freight.cargo.site/t/original/i/fc3e3570f24ed70feaa3d32b14472dc997920964cdaf5894ea80b059fa220390/IMG_5304_V2.png" data-mid="221537788" border="0"  src="https://freight.cargo.site/w/1000/i/fc3e3570f24ed70feaa3d32b14472dc997920964cdaf5894ea80b059fa220390/IMG_5304_V2.png" /&#62;
Artwork by&#38;nbsp;Teddy Hannah-Drullard</description>
		
	</item>
		
	</channel>
</rss>